![]() Black Swan:: Nina is chosen to play the lead role in the company's touring production of Swan Lake.The key is that the story references a facet of the world of art as if it is authentic and the depiction is different from reality in a meaningful way.Ī Sub-Trope of Artistic License, and a Super-Trope to Wrongfully Attributed. Songs performed wrong, poems misquoted, paintings painted on the wrong material, buildings such as the Eiffel Tower or Taj Mahal misrepresented, and museums behind elaborate plots to steal all of Van Gogh's paintings are all possible examples of this trope. The artwork or process must be presented as Real Life in order for the artistic license to be taken. If it's presented as a 6-foot-tall statue it fits this trope.Ĭan be averted through Fictional Painting. Should Michelangelo's David be picked up by a crane or person(!) that couldn't possibly lift 6 tons, but is still 17 feet tall and looks the same as in real life, that's Hollywood Density. Should Buddy be playing a banjo rather than his Stratocaster, the artwork has changed and fits this trope.Ĭontrast with Hollywood Density. Should a piece of artwork not exist in the time period of the story, such as Buddy Holly playing a 1965 Fender Stratocaster in 1959, history is the problem, not the artwork. It also includes distorting facts about the world of art and artworks.Ĭontrast with Artistic License – History. It includes taking liberties with how the world of art works, such as speeding up the time it take to appraise a piece, or how museums acquire artwork. ![]() ![]() The artwork can be a painting, a poem, a song, a building, an invention, or any other piece that would be called art. There may be easy ways around the Plot Hole addressed through the artistic license or it could be practically impossible to tell the creator's story without this break from reality. The creator may or may not be aware of the artistic license being taken. ![]() Since the needs of the story outweigh the need for accuracy and Tropes Are Tools, creators will often have their protagonist roll up a canvas Mona Lisa and carry it off in a tube, although Leonardo da Vinci painted it on a wood panel. The world of art as portrayed in stories is often inaccurate. As a result, the company is highly regarded and it is now in a form that can serve the control infrastructure market for many years to come."Why is she smiling? I bet it's because of her size changing secret." Wayne, the inventor of the Art-Net lighting protocol and recipient of the 2017 Gottelier award, has ensured the longevity of the business through innovation and adaptability. However, Artistic Licence has expanded and diversified to cement a strong presence in the architectural and commercial world by focusing on the design and manufacture of solutions for the more technically demanding installations. In the early days, the company was predominantly involved with rock ‘n’ roll and theatre lighting technology. Robe moving lights and LED lighting fixtures can be found everywhere, enhancing all genres of live performance from music to TV to drama and opera, lighting a myriad of diverse events as well as venues and other installations including those in the specialist world of architectural and environmental illumination.Īrtistic Licence was founded in 1988 by Wayne Howell. is very proud of its independence and private ownership which ensures that the business remains agile, efficient, decisive and focussed on producing genuinely creative and sustainable tools for professional lighting in an imaginative and exciting industry that constantly pushes the boundaries of innovation and what is possible. The company is based in the Czech Republic and currently employs over 750 skilled staff worldwide, with wholly-owned subsidiaries in six key markets - the U.S., U.K., Middle East, Singapore (Asia Pacific), France and Germany plus a well-established worldwide distribution network covering over 100 countries. “I look forward to helping develop the Artistic Licence business using the significant Robe subsidiary and distributor network” said Wayne, “I am also excited to be involved with new product development for a brand leading business that has always been a key industry innovator”. This purchase from Singularity UK holdings Ltd., has also enabled an ongoing product design agreement. The acquisition of the Artistic Licence business and products is an important part of the strategic growth plan of both Robe and Anolis brands. “This is a great acquisition for Robe”, stated Josef Valchar, CEO Robe Lighting s.r.o., “It provides products that complement our own production, and will add value to sales made throughout our global distribution network”.
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